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Jay Gatsby

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The cover of the first edition of The Great Gatsby, 1925

Jay Gatsby is the fictional protagonist of F. Scott Fitzgerald's 1925 novel The Great Gatsby. The character has become an archetype of self-made American men seeking to join High society and the name has become synonymous with successful businessmen with shady pasts in the US.

Contents

[edit] Character biography

James "Jimmy" Gatz, a bright young man from a poor family in North Dakota, despised the imprecations of poverty so much he dropped out of St. Olaf College in Minnesota after only a few weeks because of his shame at the janitorial job he had to take to pay his way. While training in 1917 to join the infantry and fight in World War I he meets and promptly falls in love with the beautiful Daisy, who represents everything he is not: she is rich, from a patrician East Coast family and born with the proverbial silver spoon in her mouth. After the war, from which he emerged as a hero for his participation in the bloody battles of Marne and Argonne, he attends Oxford. While there he receives a letter from Daisy telling him she has married the equally aristocratic Tom Buchanan. Rather than admit defeat, he commits his life to becoming the man of the sort of wealth and stature he imagines could win her love.[1]

Gatz returned home to an America transformed by prohibition in 1919, a period in American history in which gangsters earned the sort of vast wealth previously the domain of the connected upper classes, an era in which "all the old boundaries that separated the classes were being broken, and a new wave of instant millionaires, like Gatsby himself... mingled with the polo-players who inhabited the stiff enclaves of the established rich of Long Island's gold coast."[2] This era later came to known as the Jazz Age, after Fitzgerald's own coinage.

Gatz, who renamed himself Jay Gatsby, made a fortune in bootlegging thanks to his association with gangsters like Meyer Wolfsheim (patterned after real-life American gangster Arnold Rothstein) and sets himself up in a mansion in the fictional West Egg, Long Island, a haunt of the nouveaux riche and across from the old-line money East Egg, where Tom and Daisy Buchanan live. Gatsby hosts wild parties, open to all comers, there every weekend, in the hopes that Daisy will attend and he can win her heart. He eventually catches up with Daisy, but fails to convince her to leave Tom. After his failure to change Daisy's mind is clear to all but him, Daisy drives Gatsby's car with Gatsby in the passenger seat and she accidentally strikes and kills Myrtle, the lover of her husband Tom, in a hit-and-run accident. Myrtle's jealous husband George tracks the car back to the Buchanan home, where Tom lies and tells him that Gatsby was the driver of the car that killed his wife. George goes to Gatsby's house, finds him floating in his lavish pool, and murders him before taking his own life. Almost none of Gatsby's high society friends attend his funeral and in the meantime Gatsby's underworld connections begin picking through his belongings in his mansion.[3]

[edit] Gatsby as a reference point

The figure of Jay Gatsby became a cultural touchstone in 20th century America. Chris Mathews in his book American even forgives Gatsby his serial lies. When the poor native son Gatsby tells Nick Carroway, his only true friend and a relative of Daisy's, he was brought up wealthy and that he attended Oxford because "all my ancestors have been educated there" Mathews sees him as the eternal American striver. "Gatsby needed more than money: he needed to be someone who had always had it... this blind faith that he can retrofit his very existence to Daisy's specifications is the heart and soul of the The Great Gatsby. It's the classic story of the fresh start, the second chance."[4]

"Jay Gatsby... appears to be the quintessential American male hero. He is a powerful businessman with shady connections, drives a glamorous car... and pursues the beautiful, privileged Daisy," Michael Kimmel and Amy Aronson write.[5] In the Handbook of American Folklore, Richard Dorson sees Gatsby, who in his first chance encounter with wealth in the form of his mentor Dan Cody, who opens the door to riches in boot-legging, as a new American archetype. "The ragged youth who some months later (after Gatsby drops out of St. Olaf) introduces himself to a degenerate yachtsman as Jay Gatsby has explicitly rejected the Protestant ethic... in favor of a much more extravagant form of ambition."[6]

Referring to real life figures as Gatsby has been commone in the United States, usually in reference to rich men whose rise to prominence involved an element of deception. In a story on R. Foster Winans, a reporter for the Wall Street Journal's Heard on the Street column, which typically affects the prices of stocks, who was fired after it was discovered he was giving advance knowledge of the columns' contents to Peter Brant, the Seattle Post Intelligencer described Brant as "Winan's Gatsby." The article noted that Brant had changed his name from Bornstein and said he was "a man who turned his back on his heritage and his family because he felt that being recognized as Jewish would be a detriment to his career."[7]

He is also simply referred to as a symbol of opulent, almost unimagineable wealth. Reporting in 2009 on the collapse of home prices and tourist spending in the exclusive Hamptons on Long Island, not far from the fictional setting of Gatsby's home, the Wall Street Journal quotes a struggling hotelier as saying "Jay Gatsby is dead."[8]

[edit] See also

The Great Gatsby

[edit] References

  1. ^ Spark Notes study guide synopsis on Jay Gatsby
  2. ^ Ruth Prigozy's introduction to Oxford University Press' 1998 Edition of The Great Gatsby pg. xix
  3. ^ Ruth Prigozy's introduction to Oxford University Press' 1998 Edition of The Great Gatsby
  4. ^ American Chapter One, "A Self Made Country pgs. 18-19, Chris Mathews, Simon and Schuster, 2003
  5. ^ Men and Masculinities, pg. 334 Michael Kimmel and Daisy Aronson, ABC-CLIO, 2004
  6. ^ Handbook of American Folklore, pg. 76 Richard Mercer Dorson, Indiana University Press, 1986
  7. ^ Scandal at Wall Street Journal: It's a Great Gatsby Tale Seattle Post Intelligencer, Michael Conant, October 4, 1986
  8. ^ The Hamptons Half-Price Sale The Wall Street Journal, Lucette Lagnado, February 20 2009
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