Villain
From Wikipedia, the free encyclopedia
A villain (also known in film and literature as the "bad guy," "black hat" or "heavy") is an "evil" character in a story, whether a historical narrative or, especially, a work of fiction. The villain usually is the antagonist, the character who tends to have a negative effect on other characters. A female villain is sometimes called a villainess (often to differentiate her from a male villain). Random House Unabridged Dictionary defines villain as "a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot."[1]
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[edit] Etymology
Villain comes from the Anglo-French and Old French vilein, which itself descends from the Late Latin word villanus meaning "farmhand."[2] Someone who is bound to the soil of a villa, which is to say, worked on the equivalent of a plantation in Late Antiquity, in Italy or Gaul.[3] It referred to a person of less than knightly status and so came to mean a person who was not chivalrous. As a result of many unchivalrous acts, such as treachery or rape, being considered villainous, in the modern sense the word, it became used as a term of abuse and eventually took on its modern meaning.[4]
[edit] Folk and fairy tales
Vladimir Propp, in his analysis of the Russian fairy tales, concluded that a fairy tale had only eight dramatis personae, of which one was the villain,[5] and his analysis has been widely applied to non-Russian tales. The actions that fell into a villain's sphere were:
- a story-initiating villainy, where the villain caused harm to the hero or his family
- a conflict between the hero and the villain, either a fight or other competition
- pursuing the hero after he has succeeded in winning the fight or obtaining something from the villain
None of these acts must necessarily occur in a fairy tale, but when they occurred, the character that performed them was the villain. The villain therefore could appear twice: once in the opening of the story, and a second time as the person sought out by the hero.[6]
When a character performed only these acts, the character was a pure villain. Various villains also perform other functions in a fairy tale; a witch who fought the hero and ran away, which let the hero follow her, was also performing the task of "guidance" and thus acting as a helper.[7]
The functions could also be spread out among several characters. If a dragon acted as the villain but was killed by the hero, another character -- such as the dragon's sisters -- might take on the role of the villain and pursue the hero.[7]
Two other characters could appear in roles that are villainous in the more general sense. One is the false hero; this character is always villainous, presenting a false claim to be the hero that must be rebutted for the happy ending.[8] Among these characters are Cinderella's stepsisters, chopping off parts of their feet to fit on the shoe.[9] Another character, the dispatcher, sends a hero on his quest. This may be an innocent request, to fulfill a legitimate need, but the dispatcher may also, villainously, lie to send a character on a quest in hopes of being rid of him.[10]
[edit] The villainous foil
In fiction, villains commonly function in the dual role of adversary and foil to the story's heroes. In their role as adversary, the villain serves as an obstacle the hero must struggle to overcome. In their role as foil, the villain exemplifies characteristics that are diametrically opposed to those of the hero, creating a contrast distinguishing heroic traits from villainous ones.
Others point out that many acts of villains have a hint of wish-fulfillment [11], which makes some people identify with them as characters more strongly than with the heroes. Because of this, a convincing villain must be given a characterization that makes his or her motive for doing wrong convincing, as well as being a worthy adversary to the hero. As put by film critic Roger Ebert: "Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph."[12]
[edit] Portraying and employing villains in fiction
Tod Slaughter always portrayed villanous characters on both stage and screen in a melodramatic manner, with moustache-twirling, eye-rolling, leering, cackling, and hand-rubbing (however this often failed to translate well from stage to screen).[13][14] Brad Warner states that "only cartoon villains cackle with glee while rubbing their hands together and dream of ruling the world in the name of all that is wicked and bad".[15] Ben Bova recommends to authors that their works not contain villains. He states, in his Tips for writers, that "In the real world there are no villains. No one actually sets out to do evil. […] Fiction mirrors life. Or, more accurately, fiction serves as a lens to focus what we know of life and bring its realities into sharper, clearer understanding for us. There are no villains cackling and rubbing their hands in glee as they contemplate their evil deeds. There are only people with problems, struggling to solve them."[16] David Lubar adds to this that "This is a brilliant observation that has served me well in all my writing. ( The bad guy isn't doing bad stuff so he can rub his hands together and snarl.) He may be driven by greed, neuroses, or the conviction that his cause is just, but he's driven by something not unlike the things that drive a hero."[17]
[edit] See also
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Wikiquote has a collection of quotations related to: Villain |
- Rogues gallery
- Mad scientist
- Supervillain
- Antagonist
- Disney Villains
- List of James Bond villains
- Heel (professional wrestling)
- Evil laugh
- Evil Overlord List
- Filmfare Best Villain Award. Since 1991, Bollywood recognizes the best actors portraying a villain.
- El caballo del malo
- Evil Genius (video game)
[edit] References
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This article uses bare URLs. Please help improve this article by turning bare URLs into proper citations containing all of the information on the referenced work's title, date, publisher, publication, and author, so that the article remains verifiable in the future. (There are several templates available that can help to make formatting such citations simple.) This page may also be able to help find problematic links. (December 2008) |
- ^ Random House Unabridged Dictionary Web Result
- ^ Robert K. Barnhart, ed (1988). Chambers Dictionary of Etymology. New York: Chambers Harrap Publishers. pp. 1204. ISBN 0-550-14230-4.
- ^ David B. Guralnik, ed (1984). Webster's New World Dictionary. New York: Simon and Schuster.
- ^ C. S. Lewis (1960). Studies in Words. Cambridge University Press.
- ^ Vladimir Propp, Morphology of the Folk Tale, p 79 ISBN 0-292-78376-0
- ^ Vladimir Propp, Morphology of the Folk Tale, p 84 ISBN 0-292-78376-0
- ^ a b Vladimir Propp, Morphology of the Folk Tale, p 81 ISBN 0-292-78376-0
- ^ Vladimir Propp, Morphology of the Folktale, p60, ISBN 0-292-78376-0
- ^ Maria Tatar, The Annotated Brothers Grimm, p 136 ISBN 0-393-05848-4
- ^ Vladimir Propp, Morphology of the Folktale, p77, ISBN 0-292-78376-0
- ^ [1]
- ^ Review of Star Trek II: The Wrath of Khan by Roger Ebert.
- ^ Bryan Senn (1996). Golden Horrors: An Illustrated Critical Filmography of Terror Cinema, 1931–1939. McFarland. pp. 481. ISBN 0786401753.
- ^ Jeffrey Richards (2001). The Unknown 1930s. I.B.Tauris. pp. 150. ISBN 186064628X.
- ^ Brad Warner (2007). Sit Down and Shut Up. New World Library. pp. 119. ISBN 1577315596.
- ^ Ben Bova (2008-01-28). "Tips for writers". benbova.com. 2. http://benbova.com/tips2.html. Retrieved on 2008-12-05.
- ^ "Villains Don’t Always Wear Black". Revision Notes. Darcy Pattison. 2008-01-28. http://darcypattison.com/characters/villains-dont-always-wear-black/.
